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I took the film out of a disposable camera. The film expired 10 years ago. Then I put it in my Nikon FE. I shoot it at ISO 200, but I guess I should have shoot it at ISO 100 or ISO 50 instead ...
I took the film out of a disposable camera. The film expired 10 years ago. Then I put it in my Nikon FE. I shoot it at ISO 200, but I guess I should have shoot it at ISO 100 or ISO 50 instead ...
I took the film out of a disposable camera. The film expired 10 years ago. Then I put it in my Nikon FE. I shoot it at ISO 200, but I guess I should have shoot it at ISO 100 or ISO 50 instead ...
I took the film out of a disposable camera. The film expired 10 years ago. Then I put it in my Nikon FE. I shoot it at ISO 200, but I guess I should have shoot it at ISO 100 or ISO 50 instead ...
I took the film out of a disposable camera. The film expired 10 years ago. Then I put it in my Nikon FE. I shoot it at ISO 200, but I guess I should have shoot it at ISO 100 or ISO 50 instead ...
I took the film out of a disposable camera. The film expired 10 years ago. Then I put it in my Nikon FE. I shoot it at ISO 200, but I guess I should have shoot it at ISO 100 or ISO 50 instead ...
Lomomatic 110 and I have a mixed bag of promise and frustration. These twenty-eight shots are all I got from three rolls of film. My negatives had mostly blank exposures: my hypothesis is that the exposure button must be depressed more firmly than I pushed it on most of my shots. What turned out, I like, especially the roll of Turquoise. I'm confused, though, about why I was able to advance the film if the shutter didn't actually open. I will just keep experimenting with it.
“Rosa di macchia, che dall’irta rama ridi non vista a quella montanina, che stornellando passa e che ti chiama rosa canina; se sottil mano i fiori tuoi non coglie, non ti dolere della tua fortuna: le invidïate rose centofoglie colgano a una a una: al freddo sibilar del vento che l’arse foglie a una a una stacca, irto il rosaio dondolerà lento senza una bacca; ma tu di bacche brillerai nel lutto del grigio inverno; al rifiorir dell’anno i fiori nuovi a qualche vizzo frutto sorrideranno: e te, col tempo, stupirà cresciuta quella che all’alba svolta già leggiera col suo stornello, e risalirà muta, forse, una sera.” Giovanni Pascoli
Last summer I tried out @stereograph`s psychocolor remjet film, who developed it afterwards. I think that I overexposed it, but I really like the grain.
