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I attended 2 workshops for Cyanotypes and Gum Bichromate and I have to say I loved them. It's a trully remarkable and seriously fulfilling experience to work with these methods. I tried both botanical photograms and printing from digital negatives. Of course there's a LOT to learn but I'm willing!!
I attended 2 workshops for Cyanotypes and Gum Bichromate and I have to say I loved them. It's a trully remarkable and seriously fulfilling experience to work with these methods. I tried both botanical photograms and printing from digital negatives. Of course there's a LOT to learn but I'm willing!!
I attended 2 workshops for Cyanotypes and Gum Bichromate and I have to say I loved them. It's a trully remarkable and seriously fulfilling experience to work with these methods. I tried both botanical photograms and printing from digital negatives. Of course there's a LOT to learn but I'm willing!!
I attended 2 workshops for Cyanotypes and Gum Bichromate and I have to say I loved them. It's a trully remarkable and seriously fulfilling experience to work with these methods. I tried both botanical photograms and printing from digital negatives. Of course there's a LOT to learn but I'm willing!!
This started out as a paintcan pinhole negative print. I scanned the printe and then printed it on transparency film with and inkjet printer. This was then contact printed on cyanotype sensitized watercolor paper.
These started out as Holga 120N negatives. I made careful, well exposed darkroom prints to size, scanned the prints, reversed them to create a negative image and then printed them on transparency film with and inkjet printer. They were then contact printed on cyanotype sensitized watercolor paper.
These started out as Holga 120N negatives. I made careful, well exposed darkroom prints to size, scanned the prints, reversed them to create a negative image and then printed them on transparency film with and inkjet printer. They were then contact printed on cyanotype sensitized watercolor paper.
