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See the world like never before with the #AtollArtLens! Features an impressive ultra-wide 103º field of view with minimal distortion, vibrant colors and strong contrast. Designed for use with full-frame mirrorless cameras in Canon RF, Nikon Z, and Sony E mounts and rangefinder coupled for M mount cameras. Photo by @somapic.
See the world like never before with the #AtollArtLens! Features an impressive ultra-wide 103º field of view with minimal distortion, vibrant colors and strong contrast. Designed for use with full-frame mirrorless cameras in Canon RF, Nikon Z, and Sony E mounts and rangefinder coupled for M mount cameras. Photo by Perry Carbonell.
See the world like never before with the #AtollArtLens! Features an impressive ultra-wide 103º field of view with minimal distortion, vibrant colors and strong contrast. Designed for use with full-frame mirrorless cameras in Canon RF, Nikon Z, and Sony E mounts and rangefinder coupled for M mount cameras. Photo by Perry Carbonell.
See the world like never before with the #AtollArtLens! Features an impressive ultra-wide 103º field of view with minimal distortion, vibrant colors and strong contrast. Designed for use with full-frame mirrorless cameras in Canon RF, Nikon Z, and Sony E mounts and rangefinder coupled for M mount cameras. Photo by @kokakoo.
See the world like never before with the #AtollArtLens! Features an impressive ultra-wide 103º field of view with minimal distortion, vibrant colors and strong contrast. Designed for use with full-frame mirrorless cameras in Canon RF, Nikon Z, and Sony E mounts and rangefinder coupled for M mount cameras. Photo by @kokakoo.
See the world like never before with the #AtollArtLens! Features an impressive ultra-wide 103º field of view with minimal distortion, vibrant colors and strong contrast. Designed for use with full-frame mirrorless cameras in Canon RF, Nikon Z, and Sony E mounts and rangefinder coupled for M mount cameras. Photo by Jatuporn Pateepaparnee
One roll of Ektachrome 100G again, shot in March/ April on wonderful sunny days. The magic of the Magnolia is underligned by the greenish tones - isn´t it?
Muse: Paula Mercedes Młynarska. Flexaret VI + Kodak Ektar 100 developed in Tetenal Colortec 30 Celsius degrees, 10 minutes. I also would like to mention that I am super shy and at the same time I love to photograph people and play with some more creative stuff, so if there are women 18+ in Cincinnati area wanted to be portrayed on film (also polaroid, I love polaroids) (also digital if You really like) please, contact me via priv. Like I said, I am super shy and I am always scared to talk to people I do not know :/ #muse #autumn #woman #portrait #whisper #flexaret #kodak #ektar #tetenal #aleksandrateresa
I filled my hand luggage with two heavy, all metal mechanical cameras with a combined age of over 80 and as much black and white film as the bag could take. I hauled it from Scotland to #India, then from the south to the north. I like collecting and using old cameras and lenses. I love the sense that someone before me has looked through the viewfinder and seen the world in their own way. There is something, maybe to do with their age or the precise mechanics that gives them a personality. They almost become my friends. I love the process of #analogue photography and the time it takes to develop the film and produce an image... It is not instant. So often in the streets of India I would take someone’s picture and straight away they would ask me to turn the camera around to see their photo on a digital screen. I disappointed so many children when all they saw was the leather and chrome back of my #Minolta. They couldn’t quite understand why the image was not instant.
I filled my hand luggage with two heavy, all metal mechanical cameras with a combined age of over 80 and as much black and white film as the bag could take. I hauled it from Scotland to #India, then from the south to the north. I like collecting and using old cameras and lenses. I love the sense that someone before me has looked through the viewfinder and seen the world in their own way. There is something, maybe to do with their age or the precise mechanics that gives them a personality. They almost become my friends. I love the process of #analogue photography and the time it takes to develop the film and produce an image... It is not instant. So often in the streets of India I would take someone’s picture and straight away they would ask me to turn the camera around to see their photo on a digital screen. I disappointed so many children when all they saw was the leather and chrome back of my #Minolta. They couldn’t quite understand why the image was not instant.
I filled my hand luggage with two heavy, all metal mechanical cameras with a combined age of over 80 and as much black and white film as the bag could take. I hauled it from Scotland to #India, then from the south to the north. I like collecting and using old cameras and lenses. I love the sense that someone before me has looked through the viewfinder and seen the world in their own way. There is something, maybe to do with their age or the precise mechanics that gives them a personality. They almost become my friends. I love the process of #analogue photography and the time it takes to develop the film and produce an image... It is not instant. So often in the streets of India I would take someone’s picture and straight away they would ask me to turn the camera around to see their photo on a digital screen. I disappointed so many children when all they saw was the leather and chrome back of my #Minolta. They couldn’t quite understand why the image was not instant.
I filled my hand luggage with two heavy, all metal mechanical cameras with a combined age of over 80 and as much black and white film as the bag could take. I hauled it from Scotland to #India, then from the south to the north. I like collecting and using old cameras and lenses. I love the sense that someone before me has looked through the viewfinder and seen the world in their own way. There is something, maybe to do with their age or the precise mechanics that gives them a personality. They almost become my friends. I love the process of #analogue photography and the time it takes to develop the film and produce an image... It is not instant. So often in the streets of India I would take someone’s picture and straight away they would ask me to turn the camera around to see their photo on a digital screen. I disappointed so many children when all they saw was the leather and chrome back of my #Minolta. They couldn’t quite understand why the image was not instant.
I filled my hand luggage with two heavy, all metal mechanical cameras with a combined age of over 80 and as much black and white film as the bag could take. I hauled it from Scotland to #India, then from the south to the north. I like collecting and using old cameras and lenses. I love the sense that someone before me has looked through the viewfinder and seen the world in their own way. There is something, maybe to do with their age or the precise mechanics that gives them a personality. They almost become my friends. I love the process of #analogue photography and the time it takes to develop the film and produce an image... It is not instant. So often in the streets of India I would take someone’s picture and straight away they would ask me to turn the camera around to see their photo on a digital screen. I disappointed so many children when all they saw was the leather and chrome back of my #Minolta. They couldn’t quite understand why the image was not instant.
I filled my hand luggage with two heavy, all metal mechanical cameras with a combined age of over 80 and as much black and white film as the bag could take. I hauled it from Scotland to #India, then from the south to the north. I like collecting and using old cameras and lenses. I love the sense that someone before me has looked through the viewfinder and seen the world in their own way. There is something, maybe to do with their age or the precise mechanics that gives them a personality. They almost become my friends. I love the process of #analogue photography and the time it takes to develop the film and produce an image... It is not instant. So often in the streets of India I would take someone’s picture and straight away they would ask me to turn the camera around to see their photo on a digital screen. I disappointed so many children when all they saw was the leather and chrome back of my #Minolta. They couldn’t quite understand why the image was not instant.
