I remember me looking at digital shadow-split pictures asking myself how that would work with affordable analogue cameras and without a studio. That was my starting point to investigate on double exposures around 4 years back. Today I got back from the lab a roll crammed with shadow-split-trials. Of course in cooperation with chance and not planned in detail :) Thanks by heart to all my friends for standing against the sun so patiently and giving a good shadow for Barcelona to appear :) The machine I used was a Yashica FR 1 set on 4oo ASA, the material a Lomography color negaive 1oo, pushed +1.
I think that the zone fokus of the beautiful minolta weathermatic A doesn't work right. Atleast a few shot came out well. I'll give it a documented next chance and then drop it. :-(
@I_AM_ANIME was so kind to give that roll of Tasma Type-42 L ("expired like hell" he said) to me as a present when we met in Barcelona for #Exp20. Of course it got double exposed! :D I worked with a Lomo LC-Wide and my precious Yashica FR-1 both set on 200 ASA. More light would have been great but that's the way we learn: trial & error, right? ;) Dust, scratches and lightleaks on the negatives are due to some experimental handling which didn't work out well. I'll tell you more about it as soon as I can show it to you :)
@I_AM_ANIME was so kind to give that roll of Tasma Type-42 L ("expired like hell" he said) to me as a present when we met in Barcelona for #Exp20. Of course it got double exposed! :D I worked with a Lomo LC-Wide and my precious Yashica FR-1 both set on 200 ASA. More light would have been great but that's the way we learn: trial & error, right? ;) Dust, scratches and lightleaks on the negatives are due to some experimental handling which didn't work out well. I'll tell you more about it as soon as I can show it to you :)
@I_AM_ANIME was so kind to give that roll of Tasma Type-42 L ("expired like hell" he said) to me as a present when we met in Barcelona for #Exp20. Of course it got double exposed! :D I worked with a Lomo LC-Wide and my precious Yashica FR-1 both set on 200 ASA. More light would have been great but that's the way we learn: trial & error, right? ;) Dust, scratches and lightleaks on the negatives are due to some experimental handling which didn't work out well. I'll tell you more about it as soon as I can show it to you :)
Lomogon 2.5/32 Art Lens brings the classic Lomo look to analogue and digital SLRs and mirrorless cameras. With a focal length of 32 mm and a unique dial-style aperture system that creates perfectly circular bokeh, it's built for capturing street and travel photographs. Back us on Kickstarter now to get a 40% discount on the Lomogon: https://lomography.com/kickstarter 📷: Louis Dazy
