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Trying the Earl Grey for the first time, with the Canon QL17. I'm loving this film, I can tell I'll be shooting loads of this on summer, the contrast is insane; and the Canonet is a blast to shoot with. I bought this one second hand for a very good price. It needs new light seals and the advance lever is working weird, still the rangefinder is bright and accurate, and the lens is clean and free of the bad guys. This camera does take very good pictures. With a bit of care it will be like new.
Trying the Earl Grey for the first time, with the Canon QL17. I'm loving this film, I can tell I'll be shooting loads of this on summer, the contrast is insane; and the Canonet is a blast to shoot with. I bought this one second hand for a very good price. It needs new light seals and the advance lever is working weird, still the rangefinder is bright and accurate, and the lens is clean and free of the bad guys. This camera does take very good pictures. With a bit of care it will be like new.
Trying the Earl Grey for the first time, with the Canon QL17. I'm loving this film, I can tell I'll be shooting loads of this on summer, the contrast is insane; and the Canonet is a blast to shoot with. I bought this one second hand for a very good price. It needs new light seals and the advance lever is working weird, still the rangefinder is bright and accurate, and the lens is clean and free of the bad guys. This camera does take very good pictures. With a bit of care it will be like new.
Trying the Godochrome 200 for the first time. This film made by Argenti is inspired in Kodachrome. I don't bother comparing, still very pleased with this emulsion. It delivers some very nice warm tones. Yeaaah!
Trying the Godochrome 200 for the first time. This film made by Argenti is inspired in Kodachrome. I don't bother comparing, still very pleased with this emulsion. It delivers some very nice warm tones. Yeaaah!
Trying the Godochrome 200 for the first time. This film made by Argenti is inspired in Kodachrome. I don't bother comparing, still very pleased with this emulsion. It delivers some very nice warm tones. Yeaaah!
Trying the Godochrome 200 for the first time. This film made by Argenti is inspired in Kodachrome. I don't bother comparing, still very pleased with this emulsion. It delivers some very nice warm tones. Yeaaah!
Trying the Godochrome 200 for the first time. This film made by Argenti is inspired in Kodachrome. I don't bother comparing, still very pleased with this emulsion. It delivers some very nice warm tones. Yeaaah!
Trying the Godochrome 200 for the first time. This film made by Argenti is inspired in Kodachrome. I don't bother comparing, still very pleased with this emulsion. It delivers some very nice warm tones. Yeaaah!
Trying the Godochrome 200 for the first time. This film made by Argenti is inspired in Kodachrome. I don't bother comparing, still very pleased with this emulsion. It delivers some very nice warm tones. Yeaaah!
Trying the Godochrome 200 for the first time. This film made by Argenti is inspired in Kodachrome. I don't bother comparing, still very pleased with this emulsion. It delivers some very nice warm tones. Yeaaah!
Trying the Godochrome 200 for the first time. This film made by Argenti is inspired in Kodachrome. I don't bother comparing, still very pleased with this emulsion. It delivers some very nice warm tones. Yeaaah!
Trying the Godochrome 200 for the first time. This film made by Argenti is inspired in Kodachrome. I don't bother comparing, still very pleased with this emulsion. It delivers some very nice warm tones. Yeaaah!
Mientras @soleado disparaba sus tomas nocturnas cargado de trípode y esperando pacientemente los interminables segundos necesarios para cada foto (con espectaculares resultados, todo sea dicho), yo me dedicaba a probar en condiciones extremas la Fuji Natura Classica cargada con un Superia 1600.
Mientras @soleado disparaba sus tomas nocturnas cargado de trípode y esperando pacientemente los interminables segundos necesarios para cada foto (con espectaculares resultados, todo sea dicho), yo me dedicaba a probar en condiciones extremas la Fuji Natura Classica cargada con un Superia 1600.
Mientras @soleado disparaba sus tomas nocturnas cargado de trípode y esperando pacientemente los interminables segundos necesarios para cada foto (con espectaculares resultados, todo sea dicho), yo me dedicaba a probar en condiciones extremas la Fuji Natura Classica cargada con un Superia 1600.
Mientras @soleado disparaba sus tomas nocturnas cargado de trípode y esperando pacientemente los interminables segundos necesarios para cada foto (con espectaculares resultados, todo sea dicho), yo me dedicaba a probar en condiciones extremas la Fuji Natura Classica cargada con un Superia 1600.
Mientras @soleado disparaba sus tomas nocturnas cargado de trípode y esperando pacientemente los interminables segundos necesarios para cada foto (con espectaculares resultados, todo sea dicho), yo me dedicaba a probar en condiciones extremas la Fuji Natura Classica cargada con un Superia 1600.
Mientras @soleado disparaba sus tomas nocturnas cargado de trípode y esperando pacientemente los interminables segundos necesarios para cada foto (con espectaculares resultados, todo sea dicho), yo me dedicaba a probar en condiciones extremas la Fuji Natura Classica cargada con un Superia 1600.
Mientras @soleado disparaba sus tomas nocturnas cargado de trípode y esperando pacientemente los interminables segundos necesarios para cada foto (con espectaculares resultados, todo sea dicho), yo me dedicaba a probar en condiciones extremas la Fuji Natura Classica cargada con un Superia 1600.
Mientras @soleado disparaba sus tomas nocturnas cargado de trípode y esperando pacientemente los interminables segundos necesarios para cada foto (con espectaculares resultados, todo sea dicho), yo me dedicaba a probar en condiciones extremas la Fuji Natura Classica cargada con un Superia 1600.
Mientras @soleado disparaba sus tomas nocturnas cargado de trípode y esperando pacientemente los interminables segundos necesarios para cada foto (con espectaculares resultados, todo sea dicho), yo me dedicaba a probar en condiciones extremas la Fuji Natura Classica cargada con un Superia 1600.
