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One of the things that we look forward to when shooting with film is the result. Seeing the photos is always a surprise as we never know what exactly we're going to get. Here are some tips that you could use to hack your next roll of film.
Getting blurry shots when you shoot inside? Night shots all browny looking or washed out? Got no detail in clouds or snow or on beaches? Get the right film for the job.
If you're in for more experiments and wanting to do something with your rolls of film a bit differently other than baking it, cutting it into pieces and even fermenting it; how about cross processing? I know, this is much common now in Lomography next to cheddar cheese, but there is a scientific way of doing it! And all you need to know about it is here, courtesy of our Tipster of the week!
You asked for it, you got it — welcome to Lomography.com’s Great Big Film Bible: Colour Reversal/Slide Film Edition! In coming days we’ll be rolling out summaries about all the slide films we could get our hands on, describing their characteristics and illustrating it all with excellent examples pulled from the Lomo community. But before we dive into the dizzying kaleidoscope of films, we thought we’d lay out how it all works.
As part of our tireless quest to bring you the most complete analogue film information on the planet, we present Part 2 of the Great Big Lomography Film Bible: Colour Reversal/Slide Film Edition. Today, it’s all about Agfa!
I do not know if this is a unique idea; if it is, then I am taking my claim to immortality. Introducing, the "Principle of Light Penetrability" by Rene M. Nob.
Redscale is the most simple experiment a lomographer can undertake (before you hit the dishwasher). But what does extended range mean and how can you use it?
